I build encounters with ecological and technological volatility.
Too often we meet the unfamiliar with answers formed for other situations, and mistake these answers for insight. If we want to be answerable to what’s happening, we need encounters that our existing ideas cannot absorb — encounters that can exceed the people who design them as much as the people who enter them. The work is not after a position adequate to the volatility, but a relation to it that stays open.
Over eighteen years this has taken form as residencies, festivals, national consultations, and multi-day encounters that place people inside artificial intelligence, ecological damage, and political uncertainty rather than in front of explanations of them.
The dominant responses to volatility — analysis, ethical frameworks, policy — treat understanding as a precondition for action. The work argues otherwise. The encounter does not precede understanding. It stands in its place.
The Work
Shipwreck 2024–2025 · Reykjavik, Montreal
Six Canadian artists brought ruins of possible futures to a former dairy barn outside Reykjavik. Six Icelandic artists were asked to make a home among them. No explanations were offered. Produced by Kasra Goodarznezhad.
Carnival of Shipwreck October 2024 · Toronto
A five-day festival across two venues, structured as carnival in the Bakhtinian sense — inversion, reversal, excess — as a way of meeting collective disorientation. Funded by the Canada Council and Arts Council Korea.
When Spiders Spin Dusk 2024–2025 · Toronto, Seoul
A Canada–Korea co-production. Six artists, three from each country, spent three months on research before making new work on ecology, climate, and non-human entities. Exhibited at The Bridge and the Art Sonje Center.
Intelligent Terrain 2022, 2024 · Wakefield, Quebec
A land-centred residency at a regenerative farm, in partnership with the Canadian Museum of Nature Archive, on cognitive technology's relationship to land and non-human intelligence.
Ferment 2018–2020
Three consecutive residency cohorts, building a community of artists working through culture and technology. When COVID arrived, that community drove UKAI's emergency programming.
New Not Normal 2020–2021
A platform built as a counter-proposal to corporate social media during lockdown — somewhere to map and share emotional responses to the pandemic without the extractive logic of algorithmic platforms.
Material Culture Under Authoritarianism 2026 · in progress
Current research into the objects, records, and rituals people make under conditions of political closure. Developing as a book and through a record label partnership.
Books and publications
In Praise of Disorder
an argument for less control
Poetics of Synthetic Language
riso-printed anthology
GROUND
tabletop roleplaying game
Residencies and exchanges
SÍM Residency, Korpúlfsstaðir, Reykjavík · Ferme Lanthorn, Wakefield · Ferment AI Exchange, Berlin · transmediale, CTM, ZK/U, STATE Studio · Leighton Artists' Colony · MythLab, Esalen Institute
Open to curatorial and residency conversations · Full CV (PDF)