I build encounters with ecological and technological volatility.

Too often we meet the unfamiliar with answers formed for other situations, and mistake these answers for insight. If we want to be answerable to what’s happening, we need encounters that our existing ideas cannot absorb — encounters that can exceed the people who design them as much as the people who enter them. The work is not after a position adequate to the volatility, but a relation to it that stays open.

Over twenty years this has taken form as residencies, festivals, national consultations, and multi-day encounters that place people inside artificial intelligence, ecological damage, and political uncertainty rather than in front of explanations of them.

The dominant responses to volatility — analysis, ethical frameworks, policy — treat understanding as a precondition for action. The work argues otherwise. The encounter does not precede understanding. It stands in its place.

The Work


Shipwreck 2024–2025 · Reykjavik, Montreal

Six Canadian artists brought ruins of possible futures to a former dairy barn outside Reykjavik. Six Icelandic artists were asked to make a home among them. No explanations were offered.


Sergio Mbayo and François Bangwe are refugee visual artists from Democratic Republic of Congo living at the Dzaleka Refugee Camp in Malawi. As part of the Tumaini Festival they generated visual symbolic systems in response to algorithmic survellance

Please Don’t Understand This 2021 - 2022 · Dzaleka, Beijing, Cairo, Toronto

Artists in a Malawian refugee camp, a Beijing hutong, and a Cairo design community generated their own symbolic languages for AI — without being told what AI was. A test of how communities can describe algorithmic culture in their own symbols rather than through borrowed or imposed ones.

Case Study (PDF)


An abandoned daycare outside London, UK now repurposed for artistic production. The facility formerly was a training site for taxi drivers and there are maps on the floor used to teach "the knowledge".

Material Culture Under Authoritarianism 2026 - in progress

Current research into the objects, records, and rituals people make under conditions of political closure. Developing as a book and through a record label partnership. Documentation grows with the project.

Notes to follow

Selected Writing

The Japanese words for space could change your view of the world · Quartz, 2018 · most-viewed article of the year

Intimacy and Artificial Intelligence (AI): Algorithmic Culture · Goethe-Institut, 2021

"Collaborative Creativity and Creative Collaboration as Future Work Paradigms: A Case Study of the Banff Centre" · 2019 · Future of Education and Labor, Springer

"Centering Aesthetics in Community Development: Approaches from the Banff Centre for Arts and Creativity" · 2020 · Handbook of Community Development, Edward Elgar Publishing

Poor Footing · occasional writing on Substack

Books

A studio image of the front cover of In Praise of Disorder vertically placed on a horizontal copy of the text. The image is black and white.

In Praise of Disorder
an argument for less control

Amazon Print · Digital · Audio

Fully-bound image of Poetics of Synthetic Language - riso-printed in Milan by Press Press Milano and designed by Mida Fiore.

Poetics of Synthetic Language
riso-printed anthology

UKAI store

A spiral-bound notebook with a cover image of a blue sky and moon surface, lying on a beige surface. Document is the print version of GROUND, an art-RPG published by UKAI Projects

GROUND
tabletop roleplaying game

sold out